12/13/2023 0 Comments Singer sarah dashO’Connor continued to record, releasing the albums Theology (2007), How About I Be Me (And You Be You)? (2012), and I’m Not Bossy, I’m the Boss (2014). O’Connor regrouped musically with the 2002 collection of Irish folk, Sean-Nós Nua, and an even more successful collection of reggae classics, Throw Down Your Arms, with Jamaican superproducers Sly and Robbie, in 2005. Her debut for the label, Faith and Courage, sounded like an attempt to regain commercial relevance, but with its too-broad range of producers - from Wyclef Jean and Kevin “She’kspere” Briggs to Dave Stewart and Brian Eno - it came off as unfocused. In 2000, O’Connor signed with Atlantic Records. Saying “Fight the real enemy,” O’Connor then flung the scraps at the camera. She sang an a cappella version of Bob Marley’s “War,” the lyrics modified slightly to protest sexual abuse in the Catholic Church, and as she sang the word “evil,” she showed a photo of Pope John Paul II, which she then ripped apart. That October, shortly after the album’s release, she was the musical guest on Saturday Night Live. In 1992, O’Connor released her third album, Am I Not Your Girl?, a collection of lushly orchestrated cover songs, mostly jazz and pre-rock pop standards, that puzzled critics and fans alike. But her most controversial act was yet to come. national anthem before a performance in response, some radio stations stopped playing her music and Frank Sinatra threatened to “kick her in the ass.” Along with Public Enemy, she boycotted the 1991 Grammy Awards to protest the first Gulf War. That summer, she would not allow a New Jersey concert venue to play the U.S. She refused to appear as a musical guest on an episode of Saturday Night Live hosted by misogynist comic Andrew Dice Clay. In 1990, O’Connor became nearly as well-known for her unyielding public actions as for her music. Robbie Robertson, Master Storyteller Who Led the Band, Dead at 80 O’Connor, who was among the first rock musicians to embrace hip-hop, also crossed over to urban audiences with a remix of “I Want Your (Hands on Me)” that featured MC Lyte. The track “Mandinka” became a modern rock hit. When The Lion and the Cobra came out in 1987, it went gold, was critically lauded, and earned O’Connor her first Grammy nomination. O’Connor convinced her label to let her produce the album herself, with recording assistance from drummer John Reynolds - who was also the father of O’Connor’s first son, Jake, born during this time. She clashed with her initial producer, industry veteran Mick Glossip, firing him, scrapping the initial recordings, and badmouthing him to the press. The recording sessions for O’Connor’s debut album got off to a rocky start. “And I decided that they were so pathetic that I shaved my head so there couldn’t be any further discussion.” “ wanted me to wear high-heel boots and tight jeans and grow my hair,” O’Connor told Rolling Stone in 1991. U2 were early supporters of O’Connor’s music, but she alienated them by dismissing the band as “bombastic” and defending the violent tactics of the Irish Republican Army. She moved to London and co-wrote “Heroine” with the Edge for the film Captive. But O’Connor outshone her bandmates and was soon signed to Ensign Records. In 1984, she and Colm Farrelly formed Ton Ton Macoute, and the group made a name for itself on the Dublin rock scene. When she was 15, she co-wrote “Take My Hand,” the first single for the soon-to-be successful Irish rock band In Tua Nua. Her Celtic-tinged vocal style, marked by breathy swoops that were by turns soothing and abrasive, would echo throughout the Nineties, influencing singers such as Sarah McLachlan and Alanis Morissette, who said O’Connor’s music was “really moving for me, and very inspiring, before I wrote Jagged Little Pill.”įellow musicians recognized O’Connor’s gifts early on. Her family and friends are devastated and have requested privacy at this very difficult time.” No cause of death was provided.Īlready a rising star in the late Eighties, O’Connor shot to fame in 1990 when her version of the Prince song “Nothing Compares 2 U” became a Number One hit. “It is with great sadness that we announce the passing of our beloved Sinéad. O’Connor’s family confirmed the singer’s death in a statement to Irish news network RTE. Sinéad O’Connor, the fiery Irish singer-songwriter whose striking voice briefly made her an unlikely pop superstar while her bold public stances on child abuse, war, and organized religion made her a controversial figure, has died at the age of 56.
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